FIATAL Férfu Hátra Fésült Hajjal 1925


Size (cm): 55x75
Price:
Sale price5.801,00 Kč

Description

The work "Fiatal Férfu Hátra Fésült Hajjal" (young man with hair combed back), created by Hugó Scheiber in 1925, is erected as a clear testimony of the stylistic evolution of Hungarian art of the early twentieth century. As one of the representatives of Modernism in his country, Scheiber captures in this painting the essence of youth and elegance, using an approach that combines the portrait with an almost sculptural approach to the human figure.

The composition of the work presents a young man, whose position and expression evoke both introspection and trust. The subject, with the hair combed back, becomes the symbol of a modernity that seeks to distance himself from traditional styles. This detail of the hairstyle, which can be interpreted as a sign of order and style, complements the elegance of the character's attire, which plays a crucial role in the visual narrative that Scheiber configures. Care care for clothing contributes to the general atmosphere of sophistication, suggesting a broader social context of a period of changes and new ideals.

The use of color in the work is notable for its subtlety and harmony. Scheiber opts for a palette that covers terrible and soft tones, which, in contrast to more living touches, generates a visual impact that allows both the figure and its environment to be highlighted. This chromatic choice not only contributes to the aesthetic development of the painting, but can also be interpreted as a reflection of the psychology of the young person portrayed, impregnating the work of a feeling of serenity and contemplation.

As the work is observed more detail, an intertextuality arises with contemporary artistic movements, such as fauvism or painting of the new objectivity, where the approach in the human figure and its contextualization in a modern environment becomes a constant. Scheiber's ability to integrate these influences without losing his personal voice is admirable, offering a highly particular vision of youth in his time.

The absence of a specific background in the painting allows the observer to direct his attention to the character, who becomes the absolute center of the work. This suggests that, beyond a simple portrait, "Fiatal Férfu Hátra Fésült Hajjal" acts as a psychological study where the individual presents himself in a moment of reflection, inviting the viewer to contemplate his own interpretation of identity and youth.

Through this work, Dohó Scheibr Contemporaneity "Fiatal Férfu Hátra Fésült Hajjal" is, without a doubt, a piece that deserves to be contemplated and analyzed in the context of the European art of the twentieth century, highlighting the multiple layers of meaning that emerge when both the individual portrayed and the cultural background and artistic that surrounds him.

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