What the flowers say - 1893


Size (cm): 40x85
Price:
Sale priceCHF 229.00

Description

"What the flowers say" (1893) by Ferdinand Hodler is a work that fuses the exquisite aesthetics of symbolism with a perceived simplicity that, in its essence, invites us to deep contemplation and reflection on nature and spirituality. Hodler, a nineteenth -century Swiss painter, is known for his ability to move the viewer through compositions that, despite their apparent simplicity, are impregnated with a deep symbolism and particular attention to detail.

In "What the flowers say," Hodler presents an image dominated by the presence of a central female figure, framed with delicacy and harmony by a field of flowers. This figure, which seems to be the epicenter of contemplation, is dressed in a white robe, symbol of purity and spirituality. The absence of superfluous elements is notorious, thus highlighting the intimate relationship between the human figure and nature. The woman's posture, with softly raised arms and her eyes closed, imbues a feeling of serene meditation and mystical connection with the floral environment.

The use of color in this work is particularly significant. The soft tones and cakes dominate the composition, with a delicate contrast between the green of foliage and the whites and pale yellow of the flowers. This chromatic scheme not only summons an atmosphere of tranquility and balance, but also highlights the central figure and its integration with the landscape. Hodler's technique to minimize shadows and rigid contours gives painting an ethérea, almost dreamlike quality, which underlines the sense of spiritual contemplation.

The composition of the work reflects a meticulously balanced symmetry. The female figure is located in the exact center of the canvas, surrounded by flowers that seem to form a natural halo around it. This provision is not accidental; It is a visual representation of the symbolism of the soul integrated into nature, a unit that Hodler seeks to exalt. The work also reflects the influence of the theory of parallelism, one of the central concepts in Hodler's work, where the artist explores symmetrical repetition and harmony as a means of achieving a spiritual depth.

Ferdinand Hodler is a painter whose work covers several styles throughout his career, from early realism to his subsequent symbolist and secessionist influence. His works often address issues of life, death, and human nature. In contexts similar to "what flowers say", we find works such as "the choice" (1893) and "the night" (1889-1890), where it uses natural figures and elements to explore deeper and more universal concepts.

In conclusion, "what the flowers of Ferdinand Hodler say is not only a painting of a figure in a flower field, but a work loaded with symbolism and a visual meditation on communion between humanity and nature. The serene expression of the female figure surrounded by the floral environment creates a narrative without words, inciting the viewer to contemplate the subtleties and the deepest meanings that Hodler suggests through his art.

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