Supremeism with eight red rectangles - 1915


Size (cm): 60x75
Price:
Sale priceCHF 240.00

Description

Supremeism with eight red rectangles (1915) is an essential work in the artistic career of Kazimir Malevich, a visionary of abstract art and the undisputed leader of the suprematist movement. The painting, which consists of eight red rectangles suspended on a white background, exemplifies Malevich's radical rupture with traditional artistic forms and their search for a pure expression of feeling and spatial perception.

The media economy in "suprematism with eight red rectangles" is remarkable. Malevich selects a limited palette to maximize the visual impact: vibrant red on an immaculate white plane. This chromatic decision is deliberate and significant. Red, a color loaded with energy and symbolism, becomes the absolute protagonist of the work, creating a tension and dynamism that transcends the mere pictorial representation.

The rectangles are not simply placed at random; Its arrangement and varied size suggest careful balance and internal rhythm within the composition. The empty spaces between geometric shapes are not mere absences but active spaces, which contribute to the sensation of flotability and movement captured in the work. This interaction between form and emptiness is an outstanding characteristic of suprematism, which seeks to free the art of representation and focus on the purity of basic emotions.

It is important that in this work there are no characters or references to recognizable objects. Malevich takes the observer to a conceptual plane where abstract forms become self -sufficient entities. The absence of figurative narrative is precisely one of the pillars of suprematism, which postulates an aesthetic experience detached from material reality. Art, according to Malevich, must express a higher perception of the world, beyond physical appearances.

Malevich first presented his manifesto of suprematism in 1915, at the exhibition "0.10" in St. Petersburg, where he revolutionized the artistic scene with his bold statements and novel art forms. "Supremeism with eight red rectangles" is an early incarnation of these ideas, a brave and provocative exploration that redefines the limits of what art can be.

Supremeism not only influenced the subsequent development of artistic avant -garde, but also resonated in the field of design, architecture and modernist aesthetics in general. Works such as this in particular have served subsequent generations of artists and designers, who have found in the simplicity and the reductive approach of Malevich a paradigm to rethink the relationship between form, function and meaning.

In summary, "suprematism with eight red rectangles" is a masterpiece that represents not only a key moment in Kazimir Malevich's career, but also a turning point in the history of modern art. Painting encapsulates Malevich's radical vision about art as a pure spiritual and emotional experience, freed from the bonds of figurative perception. Through its combination of formal simplicity and conceptual depth, this work offers a shocking and revealing aesthetic experience, inviting the viewer to reflect on the very essence of art and perception.

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