Self -portrait - 1924


Size (cm): 55x75
Price:
Sale priceCHF 235.00

Description

The Self -portrait of Käthe Kollwitz, made in 1924, is a work that encapsulates the emotional complexity and psychological depth of the artist. Kollwitz, one of the most prominent figures of German expressionism, stood out not only for his mastery in painting, but also for his ability to communicate the anguish and struggles of humanity through his art. In this self -portrait, the artist introduces herself not only as an individual, but as a reflection of the tensions of her time, a woman who confronts her intimacy and social context.

In the work, Kollwitz is represented with a serious and penetrating expression, which suggests a deep introspection and a significant internal dialogue. The use of chiaroscuro is remarkable; The contrasts between lights and shadows accentuate the intensity of his face, highlighting the features that seem to tell stories of suffering and struggle. This is characteristic of his style, which lends itself to the exploration of painful and dark issues, often inspired by the realities of the life of the disadvantaged and war. The depth of his gaze, almost challenging, makes the viewer participant of that introspective search.

The composition of the self -portrait is undoubtedly an aspect that deserves attention. The figure of Kollwitz occupies the center of the painting, which establishes a direct relationship with the viewer. This positioning suggests both the importance of her figure and the weight she feels in her function of creator and witness of the injustices of the world. The choice of the background is marked by a dark and diffuse tone that, far from distracting attention, reinforces the solemnity of the central figure, immersing it in an almost dreamlike and melancholic atmosphere.

The color in this work is subtle and almost monochromatic, predominantly the dark tones that emphasize the seriousness of the portrait. This restricted palette not only reflects Kollwitz's emotional state, but also connects with the tradition of expressionism, where color is often used to transmit moods and deep feelings, rather than to represent reality literally. In this sense, her palette seems to refer to oppression and suffering that she herself had witnessed throughout her life, especially the hardships of the working class and the victims of the war.

Käthe Kollwitz is known for his ability to merge art with social commitment. His work, often focused on issues that address the struggle of women, poverty and war, finds in this self -portrait a manifestation of their personal resilience and empathy towards the suffering of others. The artist's biographical context is essential to understand this work: the loss of her son in World War I deeply influenced her art and her perspective on life.

The 1924 self -portrait is not simply a physical reflection of Käthe Kollwitz, but a testimony of his internal struggle and external struggle. This style of self -portrait, characterized by its careful emotional and technical sincerity, establishes a dialogue between the artist and the spectator that lasts beyond the canvas. In a world where personal expression often consumes art, Kollwitz's self -portrait stands out as a reminder that art can be a powerful vehicle for empathy, reflection and the search for social justice, encapsulating through a face A collective story. This work, like the rest of its production, continues to resonate today, inviting each spectator to confront their own being and the surrounding environment.

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