Judgment. Mural sketch for the church of the Assumption in Olshany


Size (cm): 45x85
Price:
Sale priceCHF 237.00

Description

The "Trial. Mural sketch for the church of the Assumption in Olshany" by Ivan Bilibin is erected as a sublime sample of talent and vision of the famous Russian illustrator and painter. Bilibin, known for its distinctive style that amalgams elements of Russian popular art with influences of modernism, demonstrates in this sketch its skill for visual narration and its exquisite use of color and shape.

In the contemplation of this work, one immediately feels captivated by the harmony of its composition. The painting, faithful to its sketch feature, exhibits a meticulously planned structure. The characters, although not completely defined, already reveal a majesty that anticipates the drama of the final judgment. In the center, a dominant figure, presumably a heavenly judge, is surrounded by a crowd that seems to be in a state of alarm or supplication. The distribution of the figures and their interaction suggests a dynamism that encourages the scene, a quality that Bilibin handles with obvious mastery.

The color palette, although diverse enough, maintains a coherence that accentuates the solemnity of the moment represented. The predominant tones of blue, gold and white are combined to create an ethereal atmosphere, without losing the emotional intensity of the scene. Golden nuances, in particular, are not mere decorative; In the context of religious art, they evoke the divine light and the aura of holiness that surrounds the main figures.

The bilibin style, here present in its fullness, is distinguished by the clarity of the drawing and the ornamental use of color and shapes. These elements indicate a marked influence of Russian popular art, especially luboks and medieval Slaval icons. The use of defined edges and geometric patterns in costumes and decorations reinforces the connection with this tradition, while inserting an air of modernity.

Although the specific details about the execution of this sketch for the murals of the Church of the Assumption in Olshany are not widely known, we can affirm that Bilibin was an artist deeply committed to the cultural authenticity and the revitalization of Russian artistic traditions. His work not only decorates, but it educates and enriches, imbueting each stroke with a deep history and cultural significance.

In the widest panorama of his career, this work is placed along with other monumental bilibin works, such as his illustrations for Russian fairy tales and his collaboration with the Diaghilev Theater. Each project that undertook reflects a unique sensitivity towards the integration of the historical and the contemporary, making bilibin an indispensable figure of Russian art of the twentieth century.

In conclusion, "Judgment. Mural sketch for the church of the Assumption in Olshany" by Ivan Bilibin is not only a timely illustration for a sacred space, but a window to the ingenuity and the scholarship of an artist who continues to fascinate generations for both His technique as for his transforming vision of art.

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