Costume for victory over the sun: Gallo - 1913


Size (cm): 55x80
Price:
Sale priceCHF 240.00

Description

Kazimir Malevich, one of the most influential figures of the art of the twentieth century, left an indelible brand in history with its innovative focus on suprematism and its constant search for new visual languages. Among his prolific work, he highlights "Costume for the victory over the sun: Gallo" of 1913, a painting that not only reflects his artistic audacity, but also his dedication to the rupture of the conventional.

The work "Sun's victory suit: rooster" is part of the context of Malevich's collaboration with the futuristic opera "Victoria on the Sun". This opera, created in collaboration with the poet Aleksei Kruchyonyk and composer Mikhail Mathushin, is a paradigmatic example of Russian avant -garde art that sought to redefine the traditional limits of scenic art. The figure of the rooster in the design of the Malevich suit is not merely decorative, but it carries with it a deep symbolic load related to the renewal and awakening issues, common in the work of Russian futurists.

From a compositional point of view, painting is a perfect example of color use and geometric shapes that characterize Malevich. The figure of the rooster, embodied with straight lines and saturated colors, has an almost abstract synthesis of the animal. Clear predominant blocks can be observed, such as red, yellow and black, which effectively contrast with the most neutral tones in the background. This chromatic choice is not arbitrary; Vibrant colors provide dynamism and vitality to the image, while blacks and gray add a sensation of structure and stability.

The form of the rooster, reduced to its essential elements, is recognizable through the effective use of geometry. Malevich deconstructs the organic form of the animal and reconstructs it using visual concepts of straight lines and angles, which reflects its interest in the unlimited possibilities of geometric visual language. This abstraction is found in the threshold between figurative and abstract art, demonstrating Malevich's ability to create works that operate at multiple interpretive levels.

In addition to the aesthetic aspect, the cultural context of the work is essential for a deeper understanding. The Opera "Victoria on the Sun" and its design elements, including this cookie suit, were fundamental in the development of the Russian futuristic theater. Malevich and his contemporaries did not seek only new forms of visual presentation but a total transformation of the artistic experience. The collaboration for this particular opera was a radical experiment that freely integrated Poetic Zaum (an experimental and alogical form of Russian poetry), atonal music and abstract scene, underlining the synergistic nature of the avant -garde movement.

"Costume for the victory over the Sun: Gallo" by Malevich is not only a piece of visual art, but also a fragment of the theatrical and cultural experimentation of its time. It is a testimony of the innovative spirit and the audacity of Kazimir Malevich and his colleagues from the Russian avant -garde, which they sought to challenge and expand the limitations of visual and scenic arts. When observing this work, we are invited to reflect not only on their composition and color, but also about the role of art in questioning and redefinition of the limits of perception and reality.

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