Size (cm): 55x75
Price:
Sale priceCHF 234.00

Description

Katsushika Hokusai's Baku, created in 1814, is one of the most evocative manifestations of ukiyo-e, a genre of Japanese printmaking that flourished between the 17th and 19th centuries. Although Baku depicts a mythological creature, Hokusai's work is intrinsic to a dense, thought-provoking symbolism, as well as offering a unique visual play that appeals to the imagination.

At first glance, the Baku occupies the central part of the canvas, an imposing figure whose form fuses characteristics of different animals: it has the trunk of an elephant, the ears of an owl and the body of a lion, thus creating an entity that transcends reality. This being is said to devour dreams and nightmares, a fascinating concept that resonates in Japanese culture and establishes a link between the tangible and the ethereal. The representation of the creature is not only an exercise in technical mastery, but also an incitement to understand the myths that make up the Japanese collective imagination.

The colour palette used by Hokusai is deliberately selected, dominated by earthy and blue tones that evoke both solidity and serenity. These chromatic contrasts not only bring depth and volume to the composition, but also serve to emphasise the singularity of the Baku, almost floating in the intimacy of the background. The use of subtle shadows gives a three-dimensional volume to the figure, making the creature seem to vibrate in its space.

The background, meanwhile, is calculatedly simple. Its faint cloud decoration seems to envelop the Baku, suggesting its relationship to the supernatural and the dreamlike. This abstract setting not only provides a sense of isolation to the Baku, but also contrasts with its forceful presence, causing the viewer to focus solely on this singular creature. Hokusai masterfully avoids the use of scenes from everyday life, which often characterize ukiyo-e, to create a space that invites the viewer into introspective contemplation.

It is crucial to note that “Baku” is part of a prolific period in Hokusai’s career, when he began to mature his unique style, incorporating elements that go beyond his early influences. His dedication to exploring different themes, from nature to the supernatural, is reflected in this work, which is both a preview of his masterful technique and an exploration of Japanese culture and mythology. Hokusai reaffirms himself here as a multifaceted artist who challenges the conventions of his time, opening himself to new visual narratives.

In conclusion, "Baku" is not just a portrait of an ancient creature, it is an invitation to explore the complexity of Japanese culture. Hokusai, with his unmistakable touch, gives life to a powerful symbol of what it means to dream, fear and reflect on one's own existence. His work will continue to resonate not only in the artistic field, but in the interpretation of the myths and dreams that accompany us throughout life.

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