After lunch - 1900


Size (cm): 70x55
Price:
Sale priceCHF 227.00

Description

The painting "after lunch" (1900) by Édouard Vuillard is a work that stands out not only for its technical quality, but also for its ability to capture a daily moment in domestic life in the early twentieth century. This work is registered within the context of the artistic group known as the Nabis, which, influenced by post -impressionism and the new currents of aesthetic thought, sought to bring to painting an emotional and symbolic burden that transcended the mere representation of the visible world.

He painting It presents a scene that, although intimate and personal, is universalized through its composition and use of color. The characters, two female figures, are found in an inner environment that suggests warmth and familiarity. The representation of women, at a time of rest after food, evokes a feeling of tranquility and contemplation. Vuillard manages to establish a dialogue between the characters and the space they inhabit, emphasizing the emotional connection and also the spatiality, characteristic of the Nabi style. The figure that is in the front, sitting with a relaxed posture, seems to be immersed in a quiet reflection, while the other figure, slightly more to the bottom, adds depth to the composition, maintaining an aura of mystery that invites the viewer To imagine the story that develops.

Color plays a fundamental role in this work. The palette of warm tones, which covers from yellow soft to deep brown, not only provides a cozy atmosphere, but also reflects the search for natural light that was so appreciated by Vuillard. Its loose brushstroke technique and its use of patterns, especially in the clothing of the figures and in the decorative elements of the environment, reinforces the idea that art can be a means of expression rather than a mere representation. This painting shows a master's degree in handling textures and its relationship with light, which contribute to the creation of a vibrant and enveloping environment.

In addition to composition and color, "after lunch" also invites reflection on everyday life and intimate spaces that are often overlooked in art. The work represents an ephemeral, almost fleeting moment, which resonates with the philosophy of the Nabis of finding beauty in the ordinary. This painting, like others from Vuillard, departs from the grandiosity of classical history or mythology and focuses on private life, making it accessible and recognizable for the viewer.

Vuillard, with his personal and everyday approach, invites viewers to find meaning in human interactions and in the spaces we inhabit. "After lunch" thus becomes a visual testimony of an era and a style that valued intimacy and emotion in art, and at the same time, it continues to be relevant in its explorations of light, color and domestic life. His ability to transform a simple moment of rest into a work full of symbolism and beauty is what assures Vuillard a prominent place in the history of modern art.

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