Madonna and Child with Saint John the Baptist and Mary Magdalene


size(cm): 50x75
Price:
Sale price$400.00 AUD

Description

Palma Vecchio's Virgin and Child with St John the Baptist and Mary Magdalene painting is a masterpiece of the Italian Renaissance noted for its refined artistic style and carefully crafted composition. The work features the Virgin Mary holding the infant Jesus on her lap, while Saint John the Baptist and Mary Magdalene kneel by her side.

Palma Vecchio's style is characterized by his skill in depicting the human figure, as well as his use of color and light to create a sense of depth and realism. In this painting, the skin of the characters is carefully shaded, giving them a smooth and realistic look. Furthermore, the artist uses a subtle shading technique to give a sense of depth to the composition.

The composition of the work is equally impressive, with the characters arranged in a triangular shape that draws the viewer's attention to the central figure of the Virgin Mary and the baby Jesus. The position of the characters also suggests a sense of movement and dynamism, which adds visual interest to the work.

Color-wise, the painting features a palette of warm, soft tones that create a sense of harmony and serenity. The use of gold and red tones in the characters' clothing suggests a sense of wealth and nobility, while the dark background helps to highlight the main figures.

The history of the painting is poorly known, but it is believed to have been created in the late 15th or early 16th century. The work has undergone restorations and repairs over the years, but has largely survived in its original state.

In summary, Palma Vecchio's Virgin and Child with St John the Baptist and Mary Magdalene is an impressive work that showcases the artist's skill in depicting the human figure, as well as his use of color and light to create a sense of depth. and realism. The carefully crafted composition and the palette of warm, soft tones make this painting a masterpiece of the Italian Renaissance.

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