The model on the table - 1906


Size (cm): 75x55
Price:
Sale price$437.00 AUD
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Description

The painting "The model on the table" by Carl Larsson, made in 1906, is located at a fascinating moment of Nordic art, where the influence of the Arts and Crafts movement in Swedish painting and aesthetics becomes palpable. Larsson, known for his intimate portraits of everyday life and his focus on the family, as well as his ability to evoke light and personality through color, uses in this work a configuration that denotes both an emotional closeness and precision technique.

The composition focuses on a female model that rests on a table, surrounded by everyday objects that seem to tell their own history. This use of a family environment, which includes work tools and decorative elements, reinforces Larsson's personal style, who was an art defender who had to arise from daily life. The figure of the model, in a relaxed and almost contemplative tone, stands in a space where natural light highlights its silhouette and characteristics. Here, the connection between the model and the artist becomes a dialogue between the ground, the object and the light that surrounds them, creating an atmosphere of serenity and reflection.

The color palette in "The table on the table" stands out for its luminosity, characteristic of Larsson's work. Soft nuances are observed that allow light to flow through the work, giving it an almost ethereal sense. The warm colors are balanced with darker touches, providing the necessary depth to make the scene come alive. The tone of the model of the model harmonically contrasts with the background, which prepares the viewer so that her gaze is guided towards the central figure.

Each element in the work, from the arrangement of objects to space design, reflects Larsson's approach to Scandinavian aesthetics, where functionality joins beauty. The use of space, light and color is testimony not only of its technical ability, but also of its interest in the visual narrative that unfolds in everyday life. This places it in the tradition of realism, but with a peculiarity that is typical of Scandinavian modernism, where the domestic becomes an artistic exploration field.

Larsson has been the subject of studies that reveal his dedication to the emotional connection in his work, and "the model on the table" is no exception. The work invites us to reflect on the relationship between the artist and his model, as well as the process of creation itself. Through the viewer's watchful eye, it is possible to discover a sense of intimacy that beautifies the act of painting and modeling.

In summary, "the table on the table" not only reflects Larsson's skill as a painter, but is also a testimony of a time and a place where art and life are intertwined, showing light, shape and meaning of everyday life. This work is erected as an exemplary example of Larsson's style, a milestone in Swedish painting that continues to resonate in art history for its delicate balance between the personal and the universal.

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