SUPREMATIC STITE - 1916


Size (cm): 50x75
Price:
Sale price$396.00 AUD

Description

The work "Supreme Track" created in 1916 by Kazimir Malevich, is presented as a magnanimous example of suprematism, an artistic movement that Malevich himself founded and that revolutionized the perception of painting in the twentieth century. This painting, characterized by its geometric abstraction, illustrates Malevich's intention to transcend the concrete representation to explore supreme and spiritual realities through art.

The composition of "Supreme Track" is a testimony of the supreme visual syntax: simple geometric shapes, mainly rectangles and lines, arranged in a two -dimensional space. The asymmetric disposition of these forms generates a sensation of dynamism and movement, suggesting a track, a trail that guides us in an abstract journey. The forms are not embedded as pieces of a puzzle, but that they float in a precarious, almost ethereal balance, which reinforces Malevich's conception that supreme art should be free from any reference to the material world.

The use of color in this work is particularly intriguing. Blacks and blacks predominate, which dominate the pictorial space, accompanied by the economic but significant use of other colors such as red, yellow and green. These added tones not only contrast with the neutrality of the background, but also seem to vibrate with internal energy. White could be interpreted as emptiness, infinity where geometric shapes come alive; While black acts as a counterweight, an affirmation of the presence.

Unlike other artistic currents of his time, in Malevich's suprematism there is no human figure or nature as we know it. Here, in "Supreme Track", the human and the natural have been transmuted in pure forms, essential lines that summon the viewer to a deeper reflection on being and the cosmos. There are no characters in this painting, only the essence of forms, which emphasizes Malevich's premise: suprematism is not an art of a world without an object. It is an art born from the desire to escape the world of objects.

Of course, this conceptual path was in full harmony with the avant -garde ideas of the early twentieth century, a period marked by intense social, political and technological changes. Supremeism emerges not only as an artistic rebellion against figurative representation, but also as a spiritual and philosophical search in a world that became increasingly chaotic.

It is relevant to mention the influence that "Supreme Track" and other Malevich supreme works had in later generations of artists. The visual language that Malevich developed has resonated in the abstract and minimalist movements of the second half of the twentieth century, ciming its legacy as one of the pioneers of geometric abstraction.

In short, "Supreme Track" of Kazimir Malevich is more than a painting; It is a door to an intangible universe where shapes and colors invite an introspective dialogue with the viewer. The structural simplicity and conceptual depth of this work remain an imposing testimony of Malevich's innovative genius and the lasting relevance of suprematism in art history.

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