Portrait of daughter Olga - 1902


Size (cm): 55x75
Price:
Sale price$407.00 AUD

Description

The work "Portrait of daughter Olga" (1902) by Mykola Pymonenko is a captivating manifestation of Ukrainian art of the early twentieth century, which invites a deep reflection on the relationship between the artist and his model, as well as about the rich tradition pictorial that frames this piece. Pymonenko, known for his realistic style and his ability to capture the essence of everyday life in Ukraine, presents in this portrait an intimate and emotional representation of his daughter, Olga.

In it painting, Olga is shown in a moment of serenity, which establishes an immediate connection with the viewer. The choice of a neutral background allows the central focus to be the figure of the young woman, whose facial characteristics are discussed with delicacy and attention to detail. This approach reveals not only the technical mastery of Pymonnko, but also his desire to perpetuate his daughter's memory on the canvas, a deeply personal gesture that transcends the simple act of portraying.

The composition of painting It is careful and balanced; The figure of Olga is located at an angle that highlights his face, with an expression that combines innocence and maturity. The young woman's relaxed posture, sitting with an arm resting on her leg, contributes to the atmosphere of calm that permeates the entire work. The elements of their clothing, in soft and natural tones, reinforce this feeling of peace and intimacy. The use of color is particularly notable in this work; The Pymonenko palette, composed of soft nuances of rose, blue and white, evokes the fragility and tenderness of youth.

What distinguishes this portrait is the palpable sensation of affection that emanates from the figure of Olga. Pymonenko captures not only his appearance, but also a spark of his personality, inviting the viewer to immerse himself in the inner world of the young woman. This ability to go beyond superficial representation is a characteristic feature of the realistic movement and the Ukrainian pictorial school of the time. Through its technique, which combines a subtle realism with an inherent emotionality, Pymonnko manages to create an emotional bond that resonates over time.

It is significant to consider the context in which this work was created. At the beginning of the 20th century, Ukraine was in a period of intense search for cultural and national identity, coinciding with artistic movements that advocated a more introspective and personal approach in art. Pymonenko, when portraying his daughter, not only documes family life, but also participates in a broader dialogue about the representation of everyday life in a moment of change and social reflection.

While this particular work is a family portrait, the aesthetics of Pymonenko can be seen in other works that celebrate the beauty of the daily, where the life of the working classes and the Ukrainian landscapes are protagonists. "Portrait of daughter Olga" stands, therefore, not only as a tribute to a family figure, but also as a testimony of the world in which the artist lived.

The combination of master technique, genuine feelings and cultural context makes this portrait an outstanding piece within the work of Pymonnko and Ukrainian art in general. His representation of Olga transcends the personal, becoming a symbol of paternal love and cultural heritage, aspects that continue to resonate in the present.

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