Charles Hayard and his daughter Marguerite - 1815


size(cm): 55x75
Price:
Sale price$403.00 AUD

Description

The work "Charles Hayard and his daughter Marguerite" by the French artist Jean-Auguste-Dominique Ingres, painted in 1815, is a significant example of the neoclassical style that dominated the period. Ingres, whose career was deeply influenced by the search for idealization and clarity of form, presents in this painting an intimate portrait that transcends the simple representation of a father and his daughter. The choice of Hayard as the subject, a prominent lawyer of the time, highlights the importance of the paternal figure and its connection to the social and cultural context of early 19th century France.

The composition of the work is carefully arranged. Ingres employs an elegant diagonal that directs the viewer’s eye from the left side of the painting, where Charles Hayard stands, to his daughter on the right side. The use of space is ingenious; Hayard, standing, radiates a sense of authority and solidity, while Marguerite, seated and with a serene expression, emits a delicacy and vulnerability that contrasts with her father’s robust figure. This visual dialogue between the two characters is balanced by a subtle, uncluttered background that does not distract from the main focus, allowing their busy relationship at the center of the work to have a lasting impact.

The colour palette that Ingres uses is composed mainly of warm and soft tones. The blues in Marguerite's costume blend harmoniously with the natural skin tones of both subjects, creating a luminous effect that evokes warmth and family closeness. Ingres is known for his masterful use of light and shadow, and here it manifests itself in the modelling of the figures, where he clearly delineated Hayard's profile in contrast to the softness of his daughter's image and the delicate touch of light that enhances their faces.

The faces of the subjects are a showcase of Ingres’s mastery of portraiture. In the figure of Charles Hayard, one perceives traits of dignity and serenity, accentuated by his penetrating gaze and upright posture. In contrast, Marguerite reflects an introspective youth; her gaze seems to contemplate the world, while her father’s expression suggests deep love and protection. This dynamic between the characters is complemented by meticulous attention to detail, such as the folds of the clothing and the texture of the hair, which reveal Ingres’ dedication to capturing the essence of his subjects.

The work also reflects the influence of classicism on Ingres's approach. His style emphasizes clear lines, idealized forms, and a certain compositional rigidity, characteristics that can be observed not only in this portrait, but in many of his works, where precise drawing and idealized beauty are paramount. "Charles Hayard and his daughter Marguerite" fits into the legacy of family portraits by contemporary artists, but is distinguished by the emotional depth that the artist manages to evoke.

This portrait, in addition to being a family representation, serves as a testimony to the social and family ties of the time, as well as a reflection on fatherhood and inheritance. The work invites us to introspect about our own relationships and the importance of the father figure in the construction of personal and social identity. Ingres, through this painting, not only captures the image of a lawyer and his daughter, but also traces a link between the individuals and the cultural context of the time, revealing a depth that goes beyond mere representation.

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