Quesnoy Street - Saint-Valéry-Sur-Somme - 1898


Größe (cm): 75x55
Preis:
Verkaufspreisруб21.800,00 RUB

Beschreibung

Edgar Degas' painting "Quesnoy Street - Saint-Valéry-Sur-Somme", painted in 1898, is a work that embodies the artist's mastery in capturing ephemeral moments through his unique approach to scenes of everyday life. This work, executed in the oil on canvas technique, reflects the influence of Impressionism, although Degas always maintained a distinctive style that separated him from his contemporaries. The viewer is transported to a quiet street in Saint-Valéry-sur-Somme, where a serene and contemplative atmosphere coexists with urban life, a theme that is repeated throughout the evolution of his career.

The composition of the work is notable for its perspective, which offers a diagonal view that guides the viewer's gaze towards the background. Degas employs this technique to create a sense of depth and movement, making the viewer feel part of the scene. The architectural lines of the buildings flank the street, which becomes a visual guide that draws the eye towards the end of the road, where flashes of light can be perceived, suggesting the arrival of dusk. The artist's ability to play with light and shadow is one of the most impressive aspects of this work; the soft, diffuse tones that illuminate the scene bring a sense of calm and nostalgia.

In terms of colour, Degas uses a subtle and nuanced palette, with earthy tones predominating along with some blues and greens that combine to give the work an emotional depth. The careful application of colour reflects his attention to detail and an intrinsic understanding of how natural light interacts with objects in the environment. This use of colour also sets a melancholic mood, evoking a sense of stopped time, characteristic of his work in the later period of his career.

Although the painting does not feature prominent human figures, diffuse silhouettes can be glimpsed within the urban setting, suggesting the presence of everyday life without focusing on it. This decision not to include prominent figures transforms the work into a reflection of the place, rather than a portrait of the population. This approach is typical of Degas, who often sought to capture the movement and essence of spaces rather than their inhabitants in a direct sense. The lack of a focus on the human figure allows the viewer to concentrate on the beauty of the setting and architecture, underlining the artist's ability to convey the character of a place.

Furthermore, “Quesnoy Street – Saint-Valéry-Sur-Somme” reveals the evolution of Degas’ style during the later years of the 19th century. Known for his paintings of dancers and scenes of modern life, in this work Degas turns to a more contemplative and less figure-focused approach, indicating a quest towards the experience of space and light. This resonates with other contemporary works in his catalogue, as his interest in light and form continues to be a common thread in his work.

In conclusion, Degas' painting transcends its initial appearance as a simple depiction of a street. It is, in essence, a study of color, light and architecture, inscribed in the context of the daily life of his time. The work is not only a testament to Degas's undisputed talent, but also an invitation to reflect on the continuity between art and the experience of life itself. Through its innovative compositional approach and its sensitivity to the nuances of the environment, "Quesnoy Street - Saint-Valéry-Sur-Somme" stands as a shining example of the lasting legacy of Impressionism and the uniqueness of one of its greatest exponents.

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