Houses of Parliament, London - 1905


Størrelse (cm): 65x60
Pris:
Udsalgsprisруб23.000,00 RUB

Beskrivelse

Claude Monet's painting "Parliament of London" (1905) is an evocative work that captures the city's unique atmosphere through the shifting atmosphere of the London fog. A master of Impressionism, Monet employs his signature style to convey not only form but also the essence of place, turning an architectural icon into a visual spectacle that transcends the merely representational.

The composition of this work is fascinating. The Palace of Westminster, home of the British Parliament, stands in the background, partially shrouded in a mist that blurs its contours. This approach to the work reinforces the idea of ​​a world in constant change, where light and colour play a fundamental role. Monet uses loose, rapid brushstrokes that mimic the fluidity of air and the slight vibration of light reflecting off the water of the River Thames. The use of fog and smog, which were prevalent in London at the time, not only adds a layer of mystery, but also evokes the sense of industrialisation and its impact on the urban environment.

In terms of colour, the painting features a palette dominated by soft, diffuse tones of greys, blues and oranges, which allow light to subtly pass from one colour to another. These colours fade and blend, suggesting the immediacy of the visual experience. Monet is able to capture the transience of sunlight filtering through haze, creating an almost ethereal effect that is emblematic of Impressionism. This work resonates with others in his Parliament series, where atmospheric conditions and times of day become the real subject of the painting.

It is interesting to note that Monet painted this work during one of his many visits to London, a city that deeply captivated him. Through his work, Monet presents not only a representation of the urban landscape, but also offers a reflection on the role of light and atmosphere in the perception of place. Such an obsession found echo in other Impressionists, who also explored the dynamic relationship between light and form in their urban landscapes.

There are no figures in the painting, which highlights the solitude and monumentality of the building against a frozen, misty backdrop. Monet succeeds in focusing the viewer’s attention on the dialogue between nature and architecture, an interaction that reappears in his works throughout his career. “Parliament of London” is not just a portrait of a building; it is a meditation on impermanence and aesthetic experience.

Ultimately, this work stands out not only as an example of Monet’s technical virtuosity, but as a representation of innovation within the Impressionist movement. The bold use of color, texture, and light has influenced generations of subsequent artists, making “Parliament of London” a seminal work that speaks to the search for visual truth in an era of radical change. With each glance, the viewer is drawn into a London that appears to be at once present and ethereal, eternal and ephemeral—a reflection of the very spirit of Impressionist art.

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