Institution of the Eucharist (Cell 35)


size(cm): 50x60
Price:
Sale price£172 GBP

Description

The painting Institution of the Eucharist (Cell 35) by artist Fra Angelico is a masterpiece of the Italian Renaissance noted for its artistic style, composition, and use of color. The work, which measures 186 x 234 cm, represents one of the most important moments in Christian history: the institution of the Eucharist.

The painting is in the Convent of San Marco in Florence, Italy, and is one of Fra Angelico's most important works. The artist used a fresco painting technique to create this work, which means that the painting was done on a damp wall, giving it a very unique effect.

The composition of the painting is very interesting, since Fray Angelico used a very innovative perspective for the time. The scene is divided into two parts: at the top, Christ is seated at a table surrounded by the apostles, while at the bottom, there is a panoramic view of the city of Jerusalem.

The use of color in the painting is very striking, since Fray Angelico used a very bright and saturated color palette. Gold and red tones predominate in the work, creating a feeling of warmth and light.

The history of the painting is very interesting, since it is believed that it was made for Fra Angelico's cell in the Convent of San Marco, where the artist lived and worked for many years. The work was carried out in the 15th century, during the Italian Renaissance, and is considered one of the most important works of the time.

Regarding little-known aspects of the painting, it is known that Fray Angelico used real models for the characters in the work, which gave it a very realistic and natural effect. In addition, it is believed that the painting was used as a meditation tool for the monks who lived in the convent, which shows the importance that religious painting had at the time.

In summary, Fra Angelico's painting Institution of the Eucharist (Cell 35) is an Italian Renaissance masterpiece notable for its artistic style, composition, use of color, and history. It is a work that continues to fascinate lovers of art and history, and that demonstrates the importance of religious painting in 15th-century Italian culture.

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