Secretos Escondidos en 10 Pinturas Famosas

There are mysterious reasons why great masterpieces have inspired dozens of conspiracy theories and implausible conjectures.

Sometimes the hidden details in such famous paintings are extremely clever, perhaps revolutionary.

Now enter this fascinating world of 10 great masterpieces of our history that keep stealthy secrets between the canvas and the observer.

Secrets of The Last Supper - Leonardo Da Vinci

Secrets of the Last Supper

The Last Supper is Leonardo Da Vinci's visual interpretation of an event narrated in the four Gospels (the books of the Christian New Testament).

The night before Christ was betrayed by one of his disciples, the master gathered them together to eat, wash their feet and announce what would happen. As they ate and drank, Christ gives the disciples explicit instructions on how to eat and drink in the future, in their memory. It was there that the first celebration of the Eucharist was born, a ritual that still remains among Christians.

The Last Supper describes the moments after Christ dropped a bomb, announcing that a disciple would betray him before dawn. The twelve apostles react to the news with varying degrees of shock.

Leonardo da Vinci had not worked on such a large painting and had no experience in the medium of murals under the fresco technique. The painting was done using experimental pigments directly on the dry plaster wall, and unlike frescoes, where the pigments mix with the wet plaster, the work has not stood the test of time well.

Even before the masterpiece was finished, the painting was peeling off the wall and Leonardo had to repair it. Over the years it has collapsed, being also vandalized, bombed and restored. Today we are probably seeing very little of the original work.

If you've read The Da Vinci Code by Dan Brown, you know that this mural by Leonardo da Vinci from the late 15th century has been the subject of much speculation.

Brown proposed that the disciple to the right of Jesus is actually Mary Magdalene disguised as John the Apostle. It also suggests that the "V" shape that forms between Jesus and "John" represents a female womb, implying that Jesus and Mary Magdalene had a child together.

Art historians, however, are skeptical of this conjecture, which at the time gained many adherents. Critics suggest that Juan's appearance is feminine simply because that is often how he was portrayed.

But the Italian musician Giovanni Maria Pala discovered a much more compelling secret message. He claims that Da Vinci hid musical notes in "The Last Supper" that, when read from left to right, correspond to a 40-second hymn that sounds like a requiem.

In 2007, Pala created a melody from the notes that were hidden in the scene. You can listen to this supposed melody that Da Vinci left hidden here.

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Secrets of The Creation of Adam - Michelangelo (Michellangelo)

Secrets of The Creation of Adam

"The Creation of Adam" is probably the most famous of the nine biblical panels that Michelangelo painted on the ceiling of the Sistine Chapel. But did you know that the scene could contain the image of a hidden brain?

Michelangelo was an expert in human anatomy. At 17, the great Renaissance artist had a job dissecting corpses in the churchyard. According to neuroanatomy experts Ian Suk and Rafael Tamargo, the painter placed some carefully hidden illustrations of certain body parts on the ceiling of the Sistine Chapel.

If you look at the shroud that surrounds God in "The Creation of Adam," you will see that Michelangelo could reproduce an anatomical illustration of the human brain.

Suk and Tamargo believe that Michelangelo intended the brain to represent the idea that God was endowing Adam not only with life, but also with knowledge and the ability to reason.

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Secrets of The Separation of Light from Darkness - Michelangelo

Secrets of Separation of Light from Darkness

" The Creation of Adam " was not the only Sistine Chapel panel in which Michelangelo hid anatomical illustrations. According to Suk and Tamargo, in "The Separation of Light from Darkness", a representation of the human spinal cord and brain stem can be found in the center of God's chest leading to his throat.

While the viewer may be surprised by the amount of exposed skin on the ceiling and wall, there was originally much more to the work. Shortly after Michelangelo's death, Pope Paul III ordered that the genitalia of saints and martyrs be covered. More than 40 alterations were made covering the total nudity of the female figures. The chosen artist (Daniele dal Volterra) would forever be known as "Il Braghettone", the underpants maker or underpants painter.

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Secrets of Cafe Terrace at Night - Vincent Van Gogh

Café Terrace Secrets at Night

At first glance, Vincent van Gogh 's 1888 oil painting appears to be just what the title describes: a quaint cafe terrace in a colorful French town. But, in 2015, Van Gogh expert Jared Baxter proposed the theory that the painting is actually the artist's version of "The Last Supper."

Close study shows a central figure with long hair surrounded by 12 individuals, one of whom appears to slip into the shadows like Judas. There are also what appear to be small crucifixes hidden throughout the painting, including one above the central Jesus-like figure.

A religious allusion would not be too out of place for Van Gogh. Before turning his attention to painting, the famous Dutch artist had wanted to "preach the gospel everywhere," and his father, Theodorus van Gogh, was a pastor of a Dutch Reformed church. Around the time he was working at Cafe Terrace at Night, van Gogh wrote to his brother, Theo van Gogh, explaining that he had a "tremendous need for, I would say the word, religion," with direct reference to the painting.

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Secrets of The Prophet Zechariah - Michelangelo

Secrets of The Prophet Zechariah

Some of Michelangelo 's work in the Sistine Chapel may have some pretty controversial hidden secrets. "The Prophet Zechariah," for example, looks like a mural of the eponymous prophet reading a book while two cherubs look over his shoulder.

But, if you look closely, it looks like one of the angels is "flipping the fig," which is when you put your thumb between your middle and index fingers. Basically, it's the old version of showing the middle finger.

Rabbi Benjamin Blech of Yeshiva University told ABC News: "This is perhaps the key to understanding Michelangelo's courage, Michelangelo's true feelings towards the Pope, and the fact that Michelangelo did not hesitate to present us with messages that could have been offensive."

There is also a tangible sense that this is all part of Zacarias's fantasy. In a room full of imaginations, each occupant of the Sistine Chapel ceiling seems to be preoccupied with something, the power of perspective ensures that Zechariah's messages reach farther.

It's not just the fact that he's above the door, reading from his own work, that feels like God's agenda setting.

Zechariah is perhaps one of the most interesting apocalyptic prophets, who predicted the end of the world or, as he would prefer to say, the day of the Lord. Miguel Angel makes Zacarías catch the viewer with his emblematic figure.

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The Mona Lisa - Leonardo Da Vinci

Secrets of the Mona Lisa

Leonardo da Vinci's 15th-century masterpiece is perhaps one of the world's most recognizable works of art, but there is much to behold in that mysterious smile.

First of all, it is speculated that La Gioconda is pregnant, given the way her arms are placed over her belly and the veil around her shoulders, which was often worn by women during pregnancy in the Italian Renaissance.

But the most recent findings are in his eyes. In 2011, Italian researcher Silvano Vinceti claimed that he found letters and numbers microscopically painted on them. He told the Associated Press that the "L" over his right eye likely represents the artist's name.

The meaning of the letter "S" that he sees in his left eye and the number "72" under the arched bridge in the background are less clear. Vinceti believes the "S" could refer to a woman from the Sforza dynasty that ruled Milan, meaning the woman in the painting may not be Lisa Gherardini, as has long been believed.

As for the number "72", Vinceti argues that it could be due to the importance of numbers in both Christianity and Judaism. For example, the 7 refers to the creation of the world, and the number 2 could refer to the duality between men and women.

Other secrets that the Mona Lisa keeps and that were recently discovered under X-rays:

  1. There is a hidden lace in the Mona Lisa dress
  2. The transparency of the veil shows that da Vinci first painted a landscape and then used transparency techniques to paint the veil on top.
  3. The work underwent a change in the position of the index and middle fingers of the left hand.
  4. The elbow was repaired for damage caused by a stone thrown at the painting in 1956.
  5. The blanket that covers Mona Lisa's knees also covers her stomach.
  6. The left finger was not completely finished.
  7. A smudge at the corner of her eye and her chin are varnish accidents, which counter claims that Mona Lisa was ill.
  8. And the Mona Lisa was painted on uncut poplar board, contrary to other speculation.
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Secrets of The Arnolfini Portrait - Jan van Eyck

Secrets of The Arnolfini Portrait

When Jan van Eyck 's 1434 oil painting is first observed, it appears simply to depict the merchant Giovanni di Nicolao Arnolfini and his wife.

But if you look closely at the mirror in the center of the room, you'll notice that there are two figures entering the room. One of them is widely believed to be Van Eyck himself. You will also notice that there is a Latin inscription in very elaborate script on the wall above the mirror, which translates as "Jan van Eyck was here. 1434".

The Arnolfini Portrait, as the title says, was revolutionary in its time and the painting continues to fascinate us to this day. The entire image draws the viewer's attention to details that could be an important message or convey a hidden meaning.

Over the centuries the work has been interpreted as a portrait of two newlyweds, with typical symbols of a nuptial event, beginning with the fertility symbol of the pregnant position of Constanza's body, which as is known was just a whim of the artist. In fact, the couple ultimately had no children.

Other symbols of fertility are the red bed and carpet. The shoes that were on the wooden floor also had meaning as a common wedding gift for a bride from a groom. Oranges symbolize fertility and love.

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Secrets of the Ambassadors - Hans Holbein the Younger

Secrets of the Ambassadors

Hans Holbein's most iconic painting The Younger often eludes correct interpretation. Jean de Dinteville and Georges de Selve (1533), also known as The Ambassadors, have been the subject of intense scrutiny by historians for hundreds of years. The double portrait, proudly displayed in the National Gallery in London, remains a fascinating enigma within which every detail seems to suggest multiple meanings.

The artist's painting features a rather noticeable illusion on its lower base. If you look at the lopsided image at the bottom of the painting from right to left, an anamorphic skull appears to be noticeable. Scholars believe the image is intended as a reminder that death is always just around the corner. When the skull is viewed from the right of the image, the apparent image distortion is corrected.

The painting is a tradition that shows educated men with books and work tools. Objects on the top shelf include a celestial globe, a portable sundial, and various other instruments used to understand the heavens and measure time. Among the objects on the lower shelf are a lute, a box of flutes, a book of hymns, an arithmetic book and a globe.

Certain details of the work could be interpreted as references to contemporary religious divisions. The broken string of the lute, for example, may signify some kind of religious discord, while the Lutheran hymnal may be a plea for Christian harmony.

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Secrets of The Old Guitarist - Pablo Picasso

Secrets of the Old Guitarist

Pablo Picasso's haunting depiction of an old man holding a guitar is one of the most revered works of his Blue Period.

However, in 1998, researchers used an infrared camera and discovered that there is another painting under it, showing a woman. Now that the paint is fading, it's easier to see the woman's face above the old man's neck.

An investigation by the Art Institute of Chicago and a 2001 exhibition at the Cleveland Museum of Art sought to decipher the jumbled images. The most obvious features include a woman's head facing to the left and an outstretched arm with an outstretched hand to the right. It is very likely that Picasso originally began painting a portrait of a woman, who possibly appears to be seated and moody or worried. Not much of this image is visible except for her face and legs.

The Old Guitarist is probably the most emblematic painting of Picasso's blue period when he lived in poverty and emotional turmoil. The ghostly presence of the mysterious image of the woman adds an element of mystery to this great work of the 20th century.

Secrets of Madam X - John Singer Sargent

Secrets of Madam X

In 1884, John Singer Sargent painted a portrait of the wealthy Parisian socialite Virginie Amélie Avegno Gautreau. It originally depicted the jeweled strap of her dress slipping off her shoulder, but the artwork scandalized upper-class society at the time.

The artist was forced to paint the straps, change the name of the painting, and move to London to avoid public and critical ridicule.

The painting, which initially debuted with such stern contempt but is today treasured as a beloved masterpiece in Western art history, is just one example of a work of art that gradually evolved from condemnation to celebration.

Much of a work's initial reception is based on societal tastes, etiquette standards, and the values ​​of the time, and as these attitudes change over time, audiences may begin to view older paintings with a new perspective. Sargent's Madame X is perhaps one of the most dramatic examples of this trend, but not without first raising intriguing questions about what really defines a work of art's popularity, legacy and fame.

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Secrets of Spring - Sandro Botticelli

Secrets of Spring

Critics question the specific meaning behind La Primavera, Sandro Botticelli's masterpiece. It is widely accepted that, on some level, artwork is a celebration of the flower season and the fertility that the season brings.

For one thing, Boticelli's painting holds secret delights for horticultural enthusiasts. Botanists have identified at least 200 different species of plants in "Primavera" which are presented in specific detail.

The key to interpreting the composition of La Primavera as a whole could lie in the painting's sources, but there is no consensus on what they were. Some parts seem to come from Ovid, who wrote about Chloris and her transformation, and from Lucretius, who in his poem "De rerum natura" touched on some of the images seen in the painting. It could also have been inspired by "Rusticus", a poem celebrating the life in the countryside of Poliziano, a close friend of the Medici family.

Fortunately, our appreciation for the beauty of painting transcends our difficulties in understanding it. Metropolitan Museum of Art curator Ian Alteveer's recent statement about Jasper John's White Flag could easily dovetail with Botticelli's Primavera: "While I was getting excited about this work, I realized that a work can be inscrutable and that you still love it." can love."

In 1893, Aby Warburg, one of the most important historians of Florentine art, published his groundbreaking study of Botticelli's Primavera. In his article The Birth of Venus and the Primavera by Sandro Botticelli , the scholar related the meaning of the painting to Ovid's Fasti, Virgil's Aeneid, and the texts of Lucretius and Poliziano. According to Warburg, the three figures on the right visualize a passage from Fasti and show the moment when Zephyrus kidnaps the nymph Chloris who transforms into Flora. This source, however, explains only part of the image. And the rest? Referring to the Aeneid, Horace's Odes, and the writings of Lucretius and Poliziano, Warburg saw in the painting a depiction of the Garden of Venus. According to your reading, the figures from left to right are: Mercury, the Three Graces, Venus with Cupid, Flora, Chloris and Zephyr. The painting would therefore represent the kingdom of Venus as described by Poliziano in his Stanze per la Giostra:

When Cupid enforced his sweet revenge,
Through the dark air he took flight joyfully,
Rushing towards his mother's kingdom,
Where the bands of his young brothers have their home:
That realm in which all Graces delight,
Where Beauty weaves a garden in her hair,
And the lustful Cefiro flying after Flora
Spread the green with a large number of flowers.
Now sing a little of this joyful realm,
Amoroso Erato, named after Amor himself

In Poliziano's verses we find almost all the protagonists of Botticelli's painting: Venus, Cupid, the Three Graces, Zephyr and Flora.

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