Description
Kazimir Malevich, one of the pioneers of suprematism, offers us in his work "From space" (1917) a fascinating and complex look towards his vision of abstract art. This painting It is a pure expression of the principles that Malevich considered fundamental in its movement, where the supremacy of artistic sensibility and the use of color predominate over any figurative representation.
When observing "from space", we find a composition that evokes a sense of depth and dynamism through geometric forms organized asymmetrically. Dominated by primary and secondary colors, the work uses a limited but powerful palette. The white background, characteristic in many of Malevich's suprematist pieces, offers an ethereal space in which geometric shapes seem to float, giving the feeling of being suspended in a cosmic vacuum.
The use of color in this work is particularly significant. Malevich displays a contrast game between dark and light tones, which include deep and intense red blacks, as well as softer blue and green. These shades not only contribute to the visual structure of painting, but also create a sensory experience that transcends mere visual perception. Each color and each shape seem to interact in an imaginary three -dimensional space, inviting the viewer to perceive not only a flat surface, but an extended reality beyond the tangible.
One of the most notable aspects of painting is its ability to communicate movement. Diagonal lines and angular forms suggest an internal direction and energy, almost as if the figures themselves were on a perpetual trip through space. This direction and flow grant to the work a sensation of vitality and dynamism rarely achieved in the abstract art of the time.
Malevich, in its search for the essence of art, is stripped of traditional representation and enters a field where geometric shapes acquire an almost metaphysical significance. This pure abstraction is the maximum representation of its suprematist theory, in which art must go beyond the visible world and free itself from any representative bond. "From space" it is not only a reflection of the unexplored cosmos, but also a testimony of the artist's desire to explore new dimensions of perception and thought.
It is indisputable that Malevich, when creating this work, wanted to challenge and expand the limits of the art of its time. In a period marked by World War I and intense social and political changes, "from space" can be interpreted as an alternative and optimistic vision of reality. It is a reminder that even in the darkest moments, art can offer a window to infinity and to possibilities beyond the worldly and everyday.
In summary, "from the space" of Kazimir Malevich is a work that encapsulates the spirit of suprematism through its composition, color and dynamism. It is a painting that invites to be explored at multiple levels, from the visual to the philosophical, and that continues to challenge and inspire the spectators and critics, reaffirming the visionary genius of its creator.
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