Díckka s Mandolínou


Size (cm): 65x50
Price:
Sale price6,616.00TL

Description

The painting "Díckka S Mandolínou" by Emil Filla is a work that masterfully encapsulates the ideals of Czech Cubism, a movement to which Silk was one of its most prominent exponents. Created in 1910, this work not only stylistically reflects the currents of its time, but also enters an emotional representation through shape and color.

In it painting, A young woman shows up at the center of the composition, holding a mandolin, an instrument that typically evokes a sense of melancholy and ties with popular music. Filla, in its execution, uses a restricted palette that oscillates between the warm and cold tones, creating an atmosphere that feels both intimate and distant. The combination of deep yellow, ocher and blue infuses a peculiar dynamism to the work. The way in which colors are intertwined and overlap leads the viewer to explore different layers of meaning and emotion.

The female figure is arranged in a pose that suggests both a connection with its instrument and a personal introspection. Through the simplification of the forms and geometrization of volumes, Filla manages to transmit a sense of movement and fluidity. The structure of the figure is decomposed in facets that defy the traditional perception, essential characteristic of Cubism, which allows the viewer to interpret the work from multiple angles and optics.

The use of space in "Divka S Mandolínou" is equally relevant. Filla plays with depth and two -dimensionality, creating a relationship between the figure and the background that is dense but diaphanous. The shape of the mandolin is integrated with the environment through a subtle symmetry that guides the viewer's gaze. This approach can refer to the influence of Fauvism, present in its vibrant palette, as well as its Cubist contemporaries, but always with a personal seal that defines its style.

It is interesting to note that during the time when Filla created this work, he was already immersed in the exploration of modern art, which would lead him to become a pioneer of Cubism in his native country. His work "Divka S Mandolínou" not only represents a plastic exploration of the female figure and its contexts, but also imburs in a rich Czech cultural tradition that valued both music and painting.

In conclusion, "Divka S Mandolínou" is a key piece that illustrates the domain of Emil Filla in the language of Cubism, joining form, color and emotion with a mastery that resonates in the field of modern art. Through this work, the viewer not only contemplates the artist's technical skill, but is also invited to a deeper reflection on the human condition and the evocative power of music. Thus, Filla fulfills its role as a master of Czech modernity, leaving a legacy that continues to be relevant and worth studying.

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