Self -portrait - 1892


Size (cm): 50x75
Price:
Sale price2 799 SEK

Description

Ivan Aivazovsky, famous master of the sea and the sea atmospheres, it offers us with its "self -portrait - 1892" an intimate and reflective look at its own figure. This oil on canvas presents a half -body portrait of a more mature Aivazovsky, located in the splendor of his career. The master effects of the use of color and light, distinctive characteristics of your work, can also be observed in this piece, although with an application different from that of its usual marine scenes.

In this painting, Aivazovsky is dressed elegantly, which can be inferred from his jacket and his high -neck shirt. The expression on his face reflects wisdom and serenity, with eyes that seem to scrutinize the interior of the observer. The light, which in its landscapes usually play through storms and waves, here gently poses on its countenance, highlighting the wrinkles and texture of the skin, elements that suggest the passage of the years but also the accumulated of experiences and knowledge and knowledge .

The background is deliberately unemployed, using neutral tones that do not distract from the protagonist. This compositional choice highlights even more the central figure, allowing the viewer to concentrate on the details of the face and the expression of the painter. The simplicity of the fund contrasts with the complexity of the face, creating a duality between the internal and the external, the public and the private.

It is remarkable to mention how, unlike your marine representations full of movement and energy, this self -portrait is a static and contained piece. It could be interpreted that Aivazovsky, through this work, seeks to convey an internal reflection on his identity and his artistic career. The color palette is dominated by dark and sober tones, which prints a feeling of introspection and solemnity to the portrait.

In addition to revealing us the artist's master technique in the drawing and painting of portraits, it gives us clues about his character and personality. The serious countenance, the direct look at the viewer and the upright posture tell us about a self -safe man but also aware of his legacy and his impact on the art world.

In conclusion, "Self -portrait - 1892" not only offers us a physical image of Ivan Aivazovsky in a mature stage of his life, but also allows us to glimpse, even a bit, the depth of his personal and artistic being. This painting It is presented as a mirror in which its technical skill and human essence converge, showing us that, beyond its marine landscapes, there is a vast inner ocean worthy of being explored.

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