Description
Kazimir Malevich is a central figure in the evolution of modern art, and his work "Sketch notebook - 1916" is a brilliant exponent of his incursion into suprematism, an artistic movement that he founded. This piece, although apparently simple, is a testimony of the depth and radicality with which Malevich addressed the concept of abstract and geometric art.
The painting "Sketch notebook - 1916" is a work that unfolds before us in a stage of pure geometrism, where the composition focuses on basic - squares, rectangles and linear fragments that float in an indefinite space. This demonstrates Malevich's insistence on reducing forms to its most essential elements, completely moving away from the figurative representation that predominated in previous times.
The minimum use of colors - mainly ocher, black, blue and white tones - reflects a chromatic economy that does not seek to distract with the palette, but rather direct attention to forms and its disposition in space. This chromatic restriction does not limit the expressiveness of the work; On the contrary, it underlines tension and dynamism inherent to spatial relationships between forms.
Malevich said that suprematism aims to achieve "the supremacy of pure sensitivity in art", and "sketchbook - 1916" this guiding principle meets. The geometric shapes that move and overlap seem detached from any earthly or natural reference, existing in an autonomous universe that challenges the severity and conventional standards of perspective.
Through this piece, we can see how Malevich took to the limit its exploration of space and shape. The precision with which each figure is located on the surface of the canvas shows a meticulous planning and a deep understanding of how abstract forms can create a vibrant dialogue between them. The black, thin but determined lines act not only as dividing elements, but also as guides that lead our gaze through the complex geometric framework.
It is important to highlight that during this period, Malevich was in frank dialogue with other avant -garde movements in Europe, such as Cubism and Futurism, but his commitment to suprematism led him to a much more radical break with visible reality. In this sense, "Sketch Notebook - 1916" is a piece that is not only inserted into the narrative of the abstract art of the twentieth century, but also stands as a visual manifesto of the purest and most innovative ideas of Malevich.
In summary, "Sketch Notebook - 1916" by Kazimir Malevich is a work that encapsulates the essence of suprematism. Through its basic forms and its restricted palette, painting invites us to a deep reflection on the nature of art and the possibility of pure sensitivity. It is a piece that, despite its apparent simplicity, offers an inexhaustible wealth of meanings and demonstrates Malevich's genius as one of the great visionaries of modern art.
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