Description
Kazimir Malevich, one of the pioneers of abstract art and founder of suprematism, presents us in "three suprematist figures" (Three Supreme Figures) a work that encapsulates the essence of its search for a purely geometric and non -representational representation of the world. This painting, created in 1920, shows the evolution of Malevich from its first abstract experiments towards a more refined and mature synthesis of its aesthetic principles.
The work itself presents three geometric figures floating in an indefinite space. This set of shapes a large square, a rectangle and a triangle is at an aseptic white background. The chromatic choice is characteristic of the suprematist style; The work makes use of a limited but highly effective spectrum of colors. The predominant tones are black, red and blue, colors that, when opposing the white of the background, produce a vibrant and confrontational effect. The simplicity of the color palette reinforces the impression of purity and visual clarity, two fundamental objectives of suprematism.
The composition is notoriously balanced, with the figures distributed so that none dominate over the others, transmitting a sensation of harmony and stability. Malevich deliberately eliminates any allusion to recognizable subjects or scenarios, an approach that invites the observer to appreciate the forms in its most elementary state. The arrangement and size of geometric shapes are executed with unwavering precision, reflecting the careful elaboration behind what at first glance might seem simple.
It is in this devoid of reality where Malevich finds the total freedom of art. The elimination of any figurative component responds to its intention to transcend mimesis and enter the scope of pure thought and perception. Type geometric figures are not simply lines and colors, but the reflection of a utopian vision in which art can exist in a sphere released from the concrete representation of the world.
Malevich was born in 1879 in Kyiv, in the ancient Russian empire, and its artistic development was deeply influenced by the social and political changes of its time. By conceiving suprematism around 1913, Malevich aspired to an art that emancipates of earthly representations to express themselves through the striking simplicity of fundamental shapes and colors.
In line with other suprematist works, Malevich seeks in "three suprematist figures" to subvert the conventional expectations of art and guide the viewer towards an aesthetic experience based on pure sensation instead of narration or representation.
Works like this are not mere aesthetic experiments; They are intellectual provocations that encourage us to reconsider the very nature of art. Extreme purification carried out by Malevich in their paintings It converts simple forms into vehicles of complex philosophical and artistic questions. In short, "three suprematist figures" is not only a testimony of the genius of Kazimir Malevich, but also an invitation to contemplate the power of geometric abstraction as an autonomous and radically modernist artistic language.
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