Apples - 1917


Size (cm): 75x55
Price:
Sale price892,00 zł PLN

Description

When contemplating "apples" (1917) by Kuzma Petrov-Vodkin, we immerse ourselves in a visual game that reveals the author's mastery in the representation and artistic composition. Born in the Imperial Russia at the end of the 19th century, Petrov-Vodkin is known for its unique approach to the use of color and curvilinear perspective, elements that sprout clearly and subtlety in this particular work.

In "apples", Petrov-Vodkin chooses a seemingly simple motive: a set of apples arranged on a surface. However, under this appearance of simplicity a great technical and symbolic complexity is hidden. The canvas presents an almost symmetrical composition, where apples, placed in several positions, create a visual balance that is both soothing and intriguing. The artist uses a high, almost zenith perspective, allowing us to observe the apples from a position that suggests dominance and contemplation.

One of the most prominent aspects of painting is its fascinating color treatment. Petrov-Vodkin is known for its unique color theory, which sought to capture the spiritual essence of objects through vibrant tones and multi-dimensional nuances. In "apples", fruits are not mere reproduced objects with photographic fidelity; Each apple seems to radiate a life of their own. The red, yellow orange tones lack uniformity, which provides an almost tactile texture to the painting. The light, carefully distributed, is responsible for gently sculpting the surface of the fruits, generating an effective contrast between shadow and clarity.

The safe and precise strokes of Petrov-Vodkin wrap each apple with a kind of aura, feeding the perception of an almost celestial harmony. This approach resonates with the symbolic and spiritual currents of the moment, where everyday elements were high to a metaphysical sphere. In addition, the white and smooth background in which apples rest further enhance their presence, without distracting with unnecessary accessories; It is an art of purification and concentration, where less is.

It is interesting to note that "apples" was created in 1917, a crucial year in the history of Russia by the Russian revolution. Although Petrov-Vodkin is not directly recognized by his political comments through art, it is inevitable to consider that this work, with its almost meditative serenity, could have been an attempt to preserve a moment of calm in a period of extreme agitation.

Kuzma Petrov-Vodkin, educated in the Imperial Academy of the Arts and deeply influenced by symbolistic and realistic movements, is also known for other works where color treatment and perspective surprise and challenge the viewer. "The red horse bath" (1912) is perhaps its most famous work, in which dynamism and fluidity collide with the firmness of the spatial perspective, a characteristic also present in "apples."

Therefore, "apples" is not only a representation of fruits, but a visual meditation on the shape, color and space. It is a testament of Petrov-Vodkin's ability to infiltrate everyday elements with an aesthetic and spiritual depth, reminding us that even in smaller details, whole universes of meaning and beauty can be found.

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