Swearing right - 1912


Size (cm): 50x75
Price:
Sale price2.886,00 NOK

Description

The painting "swearing right" (1912) by Ferdinand Hodler is a superb example of the symbolist style of the Swiss artist, who is widely recognized for his significant contributions to the modernist movement. Hodler, born in 1853, developed a distinctive style throughout his career, characterized by a meticulous use of color and a deep exploration of emotions and symbolisms.

When observing "swearing right", a powerful and symmetrical composition is immediately perceived, which aligns perfectly with the "parallelism" technique that Hodler developed and promoted throughout his artistic life. This technique, almost a kind of personal mantra for the artist, is based on the repetition of ways and reasons to create a sense of harmony and unity.

In it painting, The male characters are placed in a linear formation, each with the right arm raised, in a gesture that evokes a solemn oath. There is a sense of commitment and unity in the scene, since each figure seems to adhere to a common ideal or a superior purpose. This provision of figures is a clear testimony of Hodler's almost ritualist approach to the representation of human and emotional issues.

The use of color in this work is equally remarkable. Hodler's palette leans towards terrible and blue tones off, which give the scene of an atmosphere of gravity and solemnity. The clothing of the characters, predominantly in dark tones, contrast with the clear background, directing the viewer's attention towards the action of the characters in an ethereal but heavy frame of meaning.

Another significant aspect is the austerity of the background. Instead of a landscape or an environment full of details, Hodler opts for a clean, almost abstract background, which does not distract from the central focus, which are the human figures in their act of oath. This approach amplifies the strength of the symbolism of the piece, leading the observer to focus on the act and meaning of the oath.

It should be noted that Hodler, throughout his life, was inspired by human nature and his universal expressions. Their paintings They often reflect their own personal struggles and experiences, intertwined with cultural and mythological references. Although "swearing on the right" is less explicitly biographical than other of his works, it remains a powerful representation of the community, loyalty and the solemnity of human commitments.

Hodler's style, with his almost devotional adhesion to symmetry and repetition, can be seen in other works of his repertoire, such as "the night" and "confrontation." There is also a thematic resonance with contemporary artists such as Gustav Klimt, although Hodler remains distinctly idiosyncratic in its execution.

In short, "swearing right" is not just a painting; It is a statement on uniformity and human cohesion, a will to the power of the oath and the shared purpose. It is a work that reveals Hodler's impressive ability to transform a seemingly simple scene into a deep reflection of the human condition.

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