Size (cm): 55x75
Price:
Sale price2.939,00 NOK

Description

The "naked" work of 1930, created by the Danish artist Vilhelm Lundstrøm, is a notable example of the author's ability to merge human anatomy with the modernity of the pictorial language of the twentieth century. This work is part of an artistic context that is characterized by the exploration of the nude as a central theme, but it does so through a lens that points towards the abstraction and simplification of forms, very much in the style of a movement that incorporates dyes of Cubism and futurism.

The first feature that attracts attention by observing "naked" is the composition. The figure of the human nude is central, almost monumental, located in an environment that seems to be both real and abstract. The shape of the body is presented with a fluidity that emphasizes grace and simplicity, highlighting the curves and contours of the figure. Lundstrøm seems to get away from the representation of the human figure literally, inviting us to rather appreciate the formal language of painting. A deliberate choice of a palette of terrible and soft colors, combined with more vibrant accents, allows the figure to stand out from the background, creating a harmonic interaction between the subject and its environment.

The figure of the nude, in addition, not only unfolds before us as a mere object of study, but Lundstrøm uses a representation that invites us to enter into a reflection on vulnerability and humanity. While the works of nudes prior to this tended to idealize the human body, Lundstrøm seems fascinated by the purity of the form in its most natural state. Facial features are minimal, almost non -existent, which opens a discussion about depersonalization in modern art and the desire to distance themselves from individuality, focusing on the body in its universal character.

Lundstrøm, representative of the group of artists known as the "colorists", was a pioneer in coloration and shape exploration. His work is a testimony of the evolution of Danish art towards a modernity approach that resonated throughout Europe. This particular work can fit into a broader dialogue with other contemporary artists who also explored the theme of nude, such as Henri Matisse, who in turn used the color and way to express the feeling of freedom that represents the nude.

The "naked" work of 1930 can also be seen as part of a broader movement among the artists of the time who sought to emancipate the painting of the traditions of the past. Instead of a detailed and realistic touch -up, Lundstrøm chooses contemporary simplicity, refined by a deep understanding of how light and color can manipulate the spectator's perception, suggesting both sensuality and introspection.

In conclusion, "naked" of Vilhelm Lundstrøm is a celebration of the form and color, distilled through a distinctive style that both challenges and transforms the conception of nude into art. This work is not only an example of Lundstrøm's individual talent, but also represents a simultaneous exploration of the human condition in the context of modern art of the twentieth century. Thus, it becomes a visual testimony of the struggle between the individual and the universal, between the past and the future, which has marked the history of contemporary art.

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