Everywhere the Eyeballs Are on Fire - 1888


Size (cm): 60x75
Price:
Sale price2.989,00 NOK

Description

"Everywhere the Eyeballs Are on Fire," a work by French artist Odilon Redon, created in 1888, lies at the intersection of symbolism and surrealism, being a disturbing representation of human perception and interiority. This painting, with its evocative suggestiveness and visual poetics, reflects the emotional complexity and multiplicity of human experience, aspects that Redon explored throughout his career.

The composition of the work is fundamental to understanding its meaning. Dominated by a dark, almost black background, the scene is illuminated through a series of eyes, scattered in an almost chaotic manner across the canvas. These eyeballs, which seem to glow like glowing embers, capture the viewer's attention and project a sense of constant vigilance. The choice of the sombre background highlights the luminosity of the eyes, creating a powerful visual effect that evokes both fascination and unease. The contrast between black and white, together with shades of grey that moderate the transition, allows for a play of light that amplifies the notion of omnipresent gazes.

The symbolism of the eyes can be interpreted in a number of ways. In the tradition of symbolism, eyes often represent vision, awareness and the depth of the soul. Here, they seem to be not only observing, but also experiencing, suffering or even agonising, as they are in a state of flame. This incendiary element suggests an inner anguish or passion, inviting the viewer to contemplate the relationship between vision and subjective experience. The repetition of the eyes almost creates a hypnotic atmosphere, which can be both intriguing and unsettling.

Redon, throughout his artistic career, frequently worked with the idea of ​​the visible versus the hidden. His work, often charged with symbolism, reflects an exploration of the fantastic and the psychological, elements that are manifest in “Everywhere the Eyeballs Are on Fire.” The act of seeing here transcends mere observation; it becomes an act charged with emotional intensity and hidden meaning. This resonates with the existential concerns of the late 19th century, a period when attention was directed towards the depths of the psyche and the darkness of the human being.

In the context of Redon's work, "Everywhere the Eyeballs Are on Fire" is representative of his distinctive style, where dreamlike elements and poetic imagery are intertwined. It resembles other pieces in his corpus, such as his lithographs and pastel works, where he also drew on the iconography of anguish, death, and mystery. The visual and emotional force of this painting provides a window into the psyche of its creator, as well as the contemporary culture of his time.

The work invites us to reflect on the nature of perception and experience, raising questions about the act of seeing and being seen. The multiplicity of burning eyes may symbolize not only the artist's own gaze, but also the social pressure that he places on the individual. In sum, "Everywhere the Eyeballs Are on Fire" is an intense exploration of humanity, a disturbing reflection of the gaze that confronts both the beauty and the suffering that resides within each being. The haunting brilliance of the eyes, always burning, lingers in the viewer's memory, silently overflowing the experience of what it means to see and be seen in the world.

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