The storm - 1911


Size (cm): 75x55
Price:
Sale price₩337,000 KRW

Description

The work "The Storm" by August Macke, created in 1911, is an emblematic representation of German expressionism and the vibrant color palette that characterized the artist's work. Through this painting, Macke manages to capture the emotional tension and energy that emanates from a natural phenomenon as powerful as a storm, using his indelible vocation for the use of color and shape.

In it painting, Two human figures appear in the foreground, reflecting an intimate connection with the world around them, but also a clear sense of vulnerability to the forces of nature. The characters are in motion, as if trying to advance despite the violence of the wind that is suggested through the undulations and the dynamics of the lines that wrapping the composition. Their faces, full of a mixture of surprise and fear, contrast with the intensity of the landscape that surrounds them, providing an emotional approach that invites the viewer to share their experience. The placement and attitude of these figures suggest a narrative in which the human being and the natural elements are intertwined, emphasizing the interdependence of man with his environment.

The use of color in "the storm" is essential to transmit the atmosphere of the work. Macke uses saturated blue, yellow and green tones that create a vibrant sensation of movement and dynamism. The heavens are dark and threatening, contrasting with the luminosity of the fields that extend at their feet, an choice that resonates with the duality inherent to nature: the peaceful and the violent, the beautiful and the scary. This colored contrast not only intensifies visual experience, but also invites a deeper reflection on nature and its transformative power.

The composition of "the storm" is remarkable for its balanced structure despite the apparent caoticity suggested by the moving elements. Macke establishes a strong sense of depth through the disposition of the characters in the foreground in relation to the vast torments and the fields. This space management allows the viewer not only to appreciate the scene, but also to feel the imminent arrival of the storm, wrapping the atmosphere of the work. The use of diagonal lines reinforces this sense of movement, directing the viewer's gaze through the canvas fluidly.

August Macke, a member of the expressionist group known as Der Blaue Reiter, stood out for his ability to capture the essence of the moment through an innovative color and shape combination. Like other contemporaries of his, such as Wassily Kandinsky and Franz Marc, his approach to art sought to go beyond realistic representation, evoking internal feelings and experiences. "The storm", although less known than some of his other works, reflects this search for the artist for a deeper connection between the real and the emotional, immersing the viewer in an almost visceral experience.

Macke's work, in general, resonates with the duality of time and space, and "the storm" is no exception. As we observe the painting, we are transported to an ephemeral and fundamental moment that encapsulates the ephemeral beauty of nature. Through this work, the viewer is invited not only to contemplate a landscape, but also to feel the strength of the storm, becoming a witness of the constant struggle between the human being and nature. At a time where art is in a process of transformation, "the storm" is revealed as a testimony of the emotional connection that art can forge with its audience, an unwavering link that is still alive in the look of the contemporary spectator.

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