Private House - Model - View from West - 1923


Size (cm): 55x50
Price:
Sale price₩267,000 KRW

Description

The work "Private House - Model - Vista from the West" by Theo Van Doesburg, created in 1923, is a clear manifestation of the intersection between art and architecture that characterized its creator, a pioneer of Stijl's movement. This painting not only reflects the aesthetic language of its time, but also embodies a contemporary approach to the structuring of space and the relationship between shape and color.

In a first glance, the painting is revealed as a meticulous study of a modern house, seen from the west, where the composition is rich in verticalities and horizontities, essential characteristics of the style that Van Doesburg cultivated throughout its trajectory. The representation of the house, although in simple appearance, is built through a emphasis of primary colors, in which blue, red and yellow predominate, accompanied by neutral tones such as white and black. This chromatic choice is not accidental; It reflects the search for a universal harmony that neoplasticists, such as Van Doesburg, pursued, including it in their vision of an art that should transcend the individual to achieve the collective.

The structure of the house is manifested through a set of plans that overlap, an approach that dissolves the borders between the object represented and its architectural conception. Straight lines and geometric shapes dominate the work, infusing a sensation of order and clarity. What is most intriguing in this work is the absence of human figures, since Van Doesburg seems daily experience.

Through this work, Van Doesburg presents an environment of modernity that challenges the conventions of representationalism. The dissolution of the traditional perspective, which distorts the representation of three -dimensional space in favor of two -dimensional treatment, evidences its desire to experiment and explore the limits of art. It is a reflection of the search for a new aesthetic reality that not only documes physical existence, but also proposes a reinterpretation of the place through an innovative plastic language.

"Private House - Model - View from the West" not only has an immediate visual attraction, but also constitutes a milestone in the evolution of modern painting. By integrating architecture into the context of art, Van Doesburg allows this piece to be comfortably in the tradition of contemporary design, of which he himself was a great defender. The work dialogues with other works of the same era, which explore the essence of Cubism, futurism and, of course, neoplasticism, movement that Van Doesburg co -founded next to Piet Mondrian, but also explored in its own distinctive direction.

In summary, this work is not only a representation of a house, but an invitation to explore the possibilities of space and the form in modern aesthetic experience. Theo Van Doesburg, with his ability to merge art and architecture, offers us a piece rich in interpretations and meanings, which transcends the act of looking to become an experience of contemplation of the contemporary world in which we inhabit.

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