N? PROFILBOL


Size (cm): 55x60
Price:
Sale price₩310,000 KRW

Description

The work "N? Profilból" (Woman in Profile) by Hugó Scheiber is a clear manifestation of the talent of the Hungarian painter in the context of the art of the twentieth century, a period whose flowering is characterized by the exploration of the human figure and the expression of the expression of the color. In this painting, Scheiber enters the representation of the female figure with a particular mastery that highlights not only its technical ability, but also its aesthetic sensitivity.

He painting It presents the figure of a woman in a profile that is directly hinted at the spectator, illustrating a subtle game between shape and space. The composition is decidedly simple, which allows the viewer's attention to focus on the subtle details of the expression and beauty of the figure. The woman, characterized by an elegant presence due to her upright posture and the inclination of her head, emerges from a background that, in turn, highlights the vitality of the colors used.

The tones used in "N? Profilból" are mostly warm, with a nostalgic beauty that evokes a serene atmosphere. The nuances of rose, orange and gold on the woman's skin contrast harmoniously with the background, which is painted in darker and neutral tones. This coloristic decision not only highlights the figure, but also establishes a visual dialogue that invites the viewer to explore the relationship between the subject and its environment. The use of vibrant colors and their conjunctions denotes a deep understanding of color theory, in addition to a clear influence of post -impressionism.

As for the technique, the stroke is fluid, which adds an almost lyrical quality to the whole. The visible brushstroke in some areas seems more like a statement by the artist, a recognition of the materiality of the painting itself, inviting the viewer to consider the work as a tangible object in addition to a portrait. Scheiber's ability to play with the lights and shadows in the representation of the human face, while maintaining an almost austere simplicity, is another testimony of his mastery.

Scheiber, although less known than some of his contemporaries, is emblematic of a generation of artists who broke with traditional molds in the representation of the human figure, moving towards a style that mixes symbolism with modernism. His work often reflects on female identity and representation, issues that acquire a special relevance in the image of "Profilból". The female figure in his painting could be interpreted as a symbol of modernity that arose in Europe, an art that differentiates and explores the intimacy of the human being, while evoking an emotional connection in the viewer.

While "N? Profilból" may not be his most famous work, he encapsulates many of the innovations and concerns that marked his career and the artistic panorama of his time. This lies its importance: not only as a work in itself, but as a reflection of a period of transformation in which art began to strip its explicit narrativity to embrace subjectivity and personal interpretation. In this sense, Scheiber's painting is a testimony of the constant dialogue between art, individual and evolving culture that, through his exploration of the female figure, continues to resonate deeply in the history of art.

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