Langelinie view - 1924


Size (cm): 65x60
Price:
Sale price€221,95 EUR

Description

The work "Vista de Langelinie" (1924) by Edvard Weie is a fascinating example of the technical mastery and aesthetic sensitivity of the Danish artist, whose production is inscribed in Nordic modernism. In this painting, Weie captures a scene from the famous Paseo Marítimo de Copenhagen, known as Langelinie, offering an interpretation that goes beyond the mere documentary representation, aspiring to transmit a visual and emotional experience of the place.

The first aspect that highlights when observing the work is the composition, which harmonizes a series of architectural elements with the natural environment. In the lower plane, you can see a careful disposal of buildings by the sea, which include typical architectural characteristics of wood and reflect the style of the time. The horizon line is established in an ethereal blue that evokes the serenity of the Scandinavian sky, while the use of simple forms and pure colors confers to the work a sense of clarity and order.

The color palette in "Langelinie view" is essential to understand the atmosphere that emanates paint. Weie uses soft and luminous tones that go from blue to green, through delicate pastels that suggest a filtered light, characteristic of the climate of the region. The contrast between the cold colors of water and the sky, and the warm tones of the buildings, creates a sensation of balance that invites contemplation.

Another prominent feature is the way Weie introduces the human figure, although in a subtle and almost abstract way. In the work, people's silhouettes are almost ethereal, integrating into the landscape so that they do not compete with the environment, but complement it. These figures seem to float in space, which reinforces the connection of the human being with nature, a recurring idea in the works of artists of their time.

Edvard Weie's style is part of the Danish modernism movement, which is characterized by the search for new forms of expression and the integration of modernity with tradition. Its attention to color, light, and the representation of the Danish environment is intertwined with influences of symbolism and impressionism. In addition, Weie is recognized for her ability to capture the essence of Nordic landscapes, providing them with an almost dreamlike dimension.

Although "View of Langelinie" is not one of his best known works, he reveals Weie's evolution as an artist and his interest in exploring the use of color and shape. Painting is a testimony of Denmark's cultural context in the interwar period and suggests a desire for renewal and connectivity with the environment.

The work invites us to experience that moment in Langelinie, a place that, in Weie's expression, transcends its physical reality to become an emotional impression. In this sense, "Langelinie view" is not only a landscape, but a visual trip that allows us to reflect on our own relationship with the environment. The work stands out not only as a representation, but as a dialogue between the human being and nature, which makes this painting a significant piece within the corpus of modern Danish art.

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