Description
The work "Composition suprematist elements (feeling of escape)" by Kazimir Malevich, created in 1927, represents a remarkable manifestation of suprematism, the artistic movement that Malevich himself founded and that revolutionized the perception of abstract art at the beginning of the twentieth century. This painting, Characteristic of its late stage, it encapsulates geometric purity and the search for spiritual transcendence that defined Malevich's artistic vision.
The composition of the work is a synthesis of simple geometric elements: rectangles, lines and trapezoidal elements arranged on a predominantly white background. There are no human figures or naturalistic representations; Instead, prominence falls on pure colors and abstract shapes. The simplicity of the elements is not fortuitous, but obeys the intention of the artist to transcend the conventional visual leagues and approach an aesthetic experience that he called "the feeling of escape."
The white background is emblematic of suprematism, representing infinity and the idea of a non -earthly space. On this ethereal background, geometric shapes seem to float, providing the work of an intimidity that suggests movement and dynamism, as if the figures were immersed in a process of dematerialization and spiritualization. The position and size of geometric shapes have an almost musical cadence, a harmony that seems to hint a cosmic choreography, raising the viewer beyond the physical world.
The use of color is concise and powerful. Black, red and yellow predominate, colors that Malevich uses with almost scientific rigor to explore the interactions between them and space. Black, deep and absorbent, contrasts dramatically with the white of the background, while red and yellow provide an energy and optimistic vibration. This color palette not only excites visual sense, but also invokes an emotional spectrum that oscillates between contemplative serenity and the contained tension.
Although it is titled "feeling of escape", painting does not represent a physical escape in the literal sense, but a spiritual and aesthetic elevation. Here, Malevich invites us to transcend the limitations of the material form to achieve a purest and most high perception of art. In this sense, the work is a visual manifesto of its supreme philosophy.
To understand this work, it is useful to place it in the context of other Malevich works, such as "black square on white background" and "black circle", where the minimum reduction of shapes and colors is presented almost as a spiritual exercise. These works relate the abstract form with an almost mystical experience, moving away from the objective representation of the world.
In conclusion, "composition suprematist elements (feeling of escape)" is not only a work of art, but also a visual essay on the nature of space and color. Malevich, through this painting, challenges us to reconsider our visual and emotional perception, inviting ourselves to an aesthetic experience that transcends the earthly. It is, therefore, an eloquent testimony of the ability of abstract art to communicate the ineffable and to offer a door towards the absolute.
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