Description
Edgar Degas's “Horsepower Study” painting, carried out in 1880, is a work that highlights the artist's interest in the collection of movement and the expression of daily life, both in the human and animal. Degas, known for his innovative ballet approach and urban life, enters the equine world with a study of great dynamism, in which he captivates the viewer with a visual narrative that transcends the mere representation of horses.
In this work, horses appear in profile position, capturing the fluidity of their forms and the elegant contour of their anatomies. The disposition of animals, with a horse in the foreground and others in the background, creates a feeling of depth and movement, which is characteristic of Degas's impressionist style. The choice of angle and perspective invite the viewer's contemplation, suggesting that horses are at an ephemeral time, at a frozen instant of activity.
The color palette used by Degas reveals its mastery in manipulation of tone and light. Brown and ocher tones predominate in the figure of horses, contrasting with the softer and more diffuse background, which provides a visual balance. This choice of colors reinforces the feeling of likelihood, while giving the work an air of warmth. Degas uses loose brushstroke techniques that offer forms a sense of vitality, illustrating its deep understanding of both technique and equine anatomy.
One of the most interesting aspects of "horse study" is its relationship with the artistic movement known as impressionism, and more specifically, with the technique of "study" that you frequently used. Degas used to carry out numerous preparatory studies of his subjects, capturing the movement in dance and the racecourse. I know multiple works by Degas who share a similar theme, such as their various representations of dancers and athletes, where the focus on anatomy, movement and light creates a unique connection between art and visual experience.
Although there are no human figures present in this specific painting, the sense of action suggests the presence of riders or coaches that could be interacting with horses outside the frame. This approach makes the work not only treat the graphic representation of animals, but also on the symbiotic relationship between man and the beast, a recurring theme in the work of Degas, which reflects his interest in discipline and movement.
"Study of horses" invites the viewer to appreciate the beauty and strength of these majestic animals, while highlighting the ability to see beyond the obvious, investigating the essence of movement and form. In this visual animation model, Degas becomes an ocular witness of life, capturing not only the image, but also the pulse and energy of his world. The work is a testimony of the artist's ingenuity and his ability to make the daily life into vibrant art, making "horses study" not only work on horses, but a visual exploration of the elegance and agility that these beings represent.
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