The Hour of the Wild Boar


Size (cm): 55x85
Price:
Sale price€268,95 EUR

Description

The work "La Hora del Jabalí" (The Hour of the Boar) by Kitagawa Utamaro, a prominent master of ukiyo-e, is a brilliant example of the skill that this artist had in capturing the essence of everyday life and nature. Painted in the late 18th century, a fertile period for Japanese art, the piece reflects not only the aesthetic styles of its time but also the profound cultural influences in Japanese feudal society.

In the piece, there is a composition in which a boar, carefully painted, becomes the main actor of the scene, symbolizing both the wild and the natural in a context that seems to be both reverent and contemplative. The boar, robust and energetic, is depicted with meticulous attention to detail, from its sparse, sweaty fur to the expression on its face, which conveys a sense of strength and dignity. This resonates with the admiration that Japanese culture has for the fauna in its environment, as well as the symbolism of the boar, which is often associated with perseverance and determination.

The background of the work presents a delicate landscape that seems to immerse the boar in a natural setting; however, what draws attention is the treatment of colors and light. Soft shades of greens and browns predominate, created through a subtle palette that evokes a quiet afternoon. This use of color by Utamaro not only establishes a contrast with the robust character of the boar but also invites the viewer to immerse themselves in this everyday scene, where nature and wildlife are celebrated.

The arrangement of elements within the work is characterized by meticulous balance. The position of the boar in the foreground, along with the use of fluid lines, guides the viewer's gaze, creating a sense of movement and energy that is almost palpable. Through the perspective chosen by Utamaro, the boar is not presented merely as an object of observation but as a participant in a moment of life.

Utamaro is known for his prints of beautiful women and scenes of urban life, but "La Hora del Jabalí" offers a glimpse into his versatility as an artist. The focus on wildlife, away from his more common themes, suggests a facet of his work that is less explored but equally rich in meaning. His works, often influenced by the philosophy and aesthetics of ukiyo-e, are oriented towards capturing ephemeral beauty and the fleeting nature of life, a principle that manifests deeply in this work.

Furthermore, the symbolism of the boar can be situated in the context of the lunar calendar, where this representation could align with the traditions and festivities that celebrate the arrival of the boar season, notably appreciated in Japanese culture. The connection with the spiritual and cultural offers a deeper level to the appreciation of the work, revealing the layers of meaning that Utamaro weaves into his art.

In conclusion, "The Hour of the Wild Boar" serves as a testament to the mastery of Kitagawa Utamaro and his understanding of the interaction between nature and culture. With his attention to detail, skill in the use of color and composition, this work not only stands out as a prominent example of ukiyo-e, but also as a reflection of the world that Utamaro inhabited and represented. Such a work attests to the rich tradition of Japanese art, where each brushstroke is imbued with history, meaning, and a deep respect for the natural environment that surrounds us.

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