THE ROAD HOUSE - 1919


Size (cm): 75x55
Price:
Sale priceCHF 234.00

Description

The work "The Camino home" (1919) by Nicolae Vermont is erected as a splendid example of the artistic approach that characterizes this period of Romena painting, rooted in symbolism and a palpable connection with the rural landscape. This painting, loaded with a deep emotional resonance, transports us to a world where nature and spirituality are intertwined exquisitely. At first glance, what impresses is the enveloping atmosphere that Vermont manages to evoke through its palette and composition. The terrible tones that predominate in the work, along with nuances of green and blue, suggest a harmony with the natural environment, inviting the viewer to an introspective journey that reflects both the literal and symbolic path of the human being towards the search for a home.

In the center of the composition, there is a human figure that, apparently, is in motion, directed towards the bottom of the painting, which is gently lost in a landscape of hills that draw a plácida horizon line. This figure, dressed in traditional clothes, symbolizes the connection with the cultural roots and the identity of the Romanian people. Vermont, known for his ability to infuse its characters a notion of psychological depth, avoids detailed clarity, allowing the viewer to project his own experiences in the figure, adding a sense of universality to the work.

The elements of the landscape are treated with a solely impressionist brushstroke, which gives painting a vibrant dynamism. The use of color is masterful; Shadows and lights play a key role, creating a contrast that gives life to the scene. The clothes of the figure are splashed with darker colors, which are contrasted with the luminosity of the background, suggesting the individual's struggle against the immensity of nature and, therefore, in the face of their own destiny.

The symbolism within the work also deserves attention. The path represented is not only a physical path, but becomes an allegory of emotional journey towards the return to oneself, to the roots, and to what the home represents. This juxtaposition between the human figure and the vast landscape suggests a dialogue between the individual and the collective, between the being and the environment.

Nicolae Vermont, influenced by currents of symbolism and Romanian popular art, capture in "The Way home" the essence of Romanian rural experience, reflecting the life of the time with a poetic idealization. His work embodies a kind of return to the genuine, to a simplicity full of meaning, in a time where the modernist began to make their way in the art world.

In summary, "the way home" is revealed as a work of introspection and connection, a testimony of Nicolae Vermont's sensitivity towards the landscape of his country and the life that takes place in it. Vermont's art, when observed in the context of other works of the same era, stands out for its ability to intertwine symbolism with everyday reality, offering the viewer not only a visual representation, but an invitation to contemplate their own trip to the home, in a literal and metaphorical sense. The work, in the end, is a song to identity, belonging and roots, evoking an experience that transcends time and space.

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