The monkey - 1912


Size (cm): 75x55
Price:
Sale priceCHF 235.00

Description

The work "El Mono" of 1912, by Franz Marc, is a fascinating example of the artist's emotional and psychedelic exploration, who is one of the greatest exponents of German expressionism and an outstanding member of the Der Blaue Reiter group. In this painting, the author enters the animal kingdom, an issue that obsessed him and is recurrent in his work. The representation of a monkey, an animal loaded with symbolism, reveals a particular sensitivity towards nature and psyche, elements that Marc considered fundamental in the search for a deeper connection with the world.

Visually, "the monkey" is characterized by its bold composition and its vibrant use of color. The central figure, a monkey of brown and ocher tones, is surrounded by an environment that seems throbbing and full of life. The fusion between the animal and its environment suggests an intrinsic symbiosis, where the animal form is intertwined with the bottom, creating an almost dreamlike atmosphere. The colors, which vary from burning yellow to deep green, are applied with loose and dynamic brushstrokes, which provides a sense of movement and emotion. This color application style evokes the vital energy that Marc wanted to convey, echoing his artistic manifesto where nature is presented as a set of emotional forces.

The monkey itself can be seen as a reflection of Marc's concerns about modernity and the situation of the human being in an increasingly machined world. When choosing a primate, the artist not only represents a species that is close to humanity, but also suggests a criticism of the disconnection of the organic. The eyes of the monkey, deeply expressive, seem to look towards the viewer, establishing an almost instantaneous connection that invites reflection on the nature of being and its spirituality, a central theme in Marc's work.

In addition to these considerations, it is interesting to contextualize "the monkey" within the author's approach towards the representation of animals. Marc sought to capture not only his external form, but also his internal essence, a task that in his mind implied transcending the visible and entering a deeper experience. It is this search that characterizes many of his works, where animals are represented in an almost mythical light, symbolizing not only a connection with nature, but also with human emotional states.

In short, "the monkey" is not just a graphic representation of a primate; It is a work that encapsulates Marc's search for a visual language that communicates the vital experience at its maximum. With its distinctive style, its chromatic choices and the emotionality that radiates, this painting is established as a powerful testimony of the intersection between man and nature, a subject that remains relevant in contemporary art. Marc, through this work, invites us to reflect on our relationship with the natural world and the essence of our own existence.

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