Description
Kazimir Malevich, one of the most revolutionary artists of the twentieth century, presents in "Supreme Plaza Movement - 1920" a sublime synthesis of suprematism, an artistic movement that he founded in 1915. This work is an obvious show of his obsessive search to express the Purity of feeling through basic geometric shapes and pure colors.
When observing "Supreme Plaza Movement - 1920", one cannot avoid admiring simultaneous simultaneous simultaneousness and complexity. In it, Malevich reduces the pictorial elements to a series of trapezoidal, rectangular and square shapes, of different sizes that seem to float in an intangible space. The disposition of these elements suggests a feeling of dynamism, as if these forms were in mutual movement, relating and moving in an unlimited three -dimensional space.
The use of color is particularly remarkable. The reddish, black and yellow tones predominate, which contrast strongly with the white background, which not only serves to highlight these forms but also gives the work of an air of infinity. The colors are juxtaposed in such a way that they generate a visual vibration, proposing a dialogue between them that invites the viewer to a deeper contemplation. This color game reflects Malevich's intention to transcend the traditional forms of art to unify the background and figure in a unique and vibrant expression of being.
Unlike other contemporary artistic currents that sought the representation of visible reality, suprematism pursued the expression of absolute purity, stripped of any mimesis vestige. Malevich, by eliminating symbolic and narrative representation, opens a new path in aesthetic perception and turns its geometric compositions into a means to explore philosophical and spiritual concepts.
The impulse behind "Supreme Plaza Movement - 1920" and other suprematist works lies in the idea that true reality lies in the world of pure shapes and colors, far from conventional sensory perception. This philosophy is deeply rooted in Malevich's teachings and writings, including his suprematist manifesto, where he argues that the supremacy of pure feeling in art is the true objective of artistic creation.
In the historical context, this work also symbolizes an era of enormous changes and revolutions in Russia, a radical innovation that resonates with the transformative spirit of the moment. Malevich's art is not only an aesthetic statement but also a reflection of a deep conviction that art has the power to transform society.
"Supreme Plaza Movement - 1920" is therefore erected not only as a testimony of Kazimir Malevich's genius, but also as an cornerstone in the history of modern art. Its ability to capture the essence of visual perception through pure shapes and colors invites us to reconsider our way of seeing and interacting with the world, reminding us that true art resides in subjective experience and understanding reality beyond of visible appearances.
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