Around Segovia


Size (cm): 75x50
Price:
Sale priceCHF 225.00

Description

The work "Around Segovia" (originally titled in English "Around Segovia") of the master Joaquín Sorolla is a fascinating example of his ability to capture light and color, elements that consolidated him as one of the most significant artists of Spanish impressionism. Painted in 1910, this work reflects the unmistakable atmosphere of the Spanish landscape, minimizing figuration instead of focusing on textures and luminosity that characterize the surrounding natural environment.

On the canvas you can see a landscape in which the presence of Segovia, an emblematic city of the Iberian Peninsula is intuited. The composition is enriched with mountainous landscapes that suggest a softness in its topography, amplifying the idea of ​​an endless tour through the field. The hills rise with a mixture of earthly and greenish tones and are bathed in a golden light that evokes a serene sunset. Sorolla, known for its mastery in the representation of natural light, uses vibrant pallets that highlight the wealth of the environment and its dynamic game of shadows and lights.

The absence of human figures in "around Segovia" is a notable artistic decision that causes a reflection in the viewer. Instead of interrupting the peace of the landscape with the human presence, Sorolla chooses to focus attention on the interaction between nature and light. This choice creates a contemplative atmosphere, inviting the observer to immerse himself in the beauty of the moment and to experience the calm that nature offers.

The nuances in color execution are characteristic of sorolla style, whose virtuous use of oil technique allows a fusion of tones ranging from the most subtle to the most intense. The almost luminescent quality of light gives the work a sensation of immediacy and movement. Sorolla makes each brushstroke seem like vibrating alive, transmitting the joy and dynamism of the Spanish landscape.

In addition, the treatment of vegetation in the foreground is presented with loose and fast brushstrokes, which reinforces the feeling of movement, making it seem that the wind could wave the leaves at any time. This detail evokes the impressionist style that characterizes much of his work, although Sorolla manages to incorporate his personal interpretation through a distinctive use of light and color.

To the influences of impressionism, Sorolla adds elements of its own cultural heritage, which translates into a lyrical and almost poetic vision of Spanish nature. Each element in "Around Segovia" is not only a representation of reality, but a testimony of their love for the earth and its people. This work, although less populated with figures than other of his works, highlights the essence of the landscape that defines Spain, a land of contrasts and wonders where the everyday often becomes a sublime.

Thus, "around Segovia" is not only a painting, but a sensory experience that, through the gaze of Joaquín Sorolla, invites us to know and feel the greatness of a landscape that stands as a protagonist in itself. The work, in its fullness, becomes a visual poem that celebrates light, color and surrounding nature, perpetuating its creator's legacy as one of the greatest artists of his time.

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