Model Study - Elder - half profile - 1885


Size (cm): 60x75
Price:
Sale price$421.00 AUD

Description

The painting "Model - Elderly - half profile" painting of Albin Egger -Lienz, carried out in 1885, is presented as a testimony of the artist's interest in the representation of the human figure and, in particular, by the nuances of experience and maturity. Egger-Lienz, born in 1868 in Tyrol, Austria, is known for its distinctive approach to oil painting and its ability to capture the essence of the human being through an approach that combines influences of realism and symbolism.

In this work, the figure of the old woman occupies the center of the canvas, portrayed in a half profile that offers an intimate and contemplative vision of her face. The old woman, with traits marked by time, reveals a rich expression of life, wisdom and, perhaps, melancholy. The choice to represent an older person is not accidental, but a celebration of memory and personal history that each individual carries. Egger-Lienz manages to transmit this depth through subtle details in the wrinkles of the face and the texture of the skin, turning the old woman into a symbol of the experience lived.

The composition is characterized by careful use of color, where the earthly tones predominate, suggesting warmth and closeness, in addition to evoking a nostalgic atmosphere. The Egger-Lienz palette in this work is soft, with nuances that oscillate between the sepia and the gray, accentuating the serenity of the environment. This color treatment is characteristic of its style, which, often, merges elements of impressionism with a more expressive technique.

Egger-Lienz enrolls in a tradition that seeks to explore character and identity through portraits, but his work goes beyond the merely physical. In "Model -old study - older - half profile", not only is a refined technique and a domain of light and shadow, but there is also an intention to capture the character of the character. The way in which the light caresses the old woman's face, illuminating her features and highlighting the three -dimensionality of her figure, provides the work with a palpable realism that invites introspection.

This interest of Egger-Lienz in the human figure, especially for the representation of people in the advanced stages of life, can also be observed in other works of its production. His career, marked by the search for a visual language that connects the emotional with the aesthetic, is in tune with contemporary movements that more and more valued symbolism and psychology in art. When comparing this work with their contemporaries, similarities emerge with the portraits of other artists who address the human figure with a similar sensitivity, such as Anton Romako or Gustav Klimt, although each with their own stylistic voice.

The "model study - old woman - half profile" not only stands as a sample of technical mastery, but also represents a meditation on life, the passage of time and the dignity inherent to each human being. The work leaves the viewer with a sense of connection and reflection, remembering the beauty that resides in vulnerability and age. In this context, the legacy of Albin Egger-Lienz manifests itself in its ability to convert the simplicity of a study into a rich and emotionally resonant narrative.

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